Now You See Me (2013)

Directed by: Louis Leterrier
Country: USA / France

Review: After some incursions on action genre with “The Transporter” and “Unleashed”, or superheroes’ adventures with “The Incredible Hulk” and “Clash Of Titans”, helmer Louis Leterrier decided to enter in the world of magic with “Now You See Me”. Like his previous films, this new one will hardly be remembered for good reasons, despite of the new style adopted and the luxurious cast that includes Jesse Eisenberg, Mark Ruffalo, Woody Harrelson, and Dave Franco. The plot centers on a mysterious quartet of magicians, entitled The Four Horsemen that decided to rob banks on their shows, only to deliver the profits to the audience. This way, they became heroes at the eyes of the people but villains according to the law, representing a tough challenge for the FBI agent Rhodes (Ruffalo) and Interpol detective Alma Dray (Mélanie Laurent). The plot lacks real mystery and is overcooked, with little enthusiasm arising from the magic tricks and not from the occurrences in the story. In the second half, the illusion tricks are replaced by real action, with the majority of the scenes indicating a stirred pace yet unconvincing twists. Showing a disconnected direction and tepid tones, “Now You See Me” comes in the same line of Christopher Nolan’s “Prestige” or Neil Burger’s “The Illusionist”, but stays a few steps behind them, not guaranteeing a so rewarding experience. No illusions here!

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After Earth (2013)

Directed by: M. Night Shyamalan
Country: USA

Review: “After Earth” is the confirmation that M.Night Shyamalan is losing strength and confidence behind the cameras. His first hits, “The Sixth Sense” and “Unbreakable”, made us foresee a promising and solid career as director and writer, but the lack of quality in his next steps made him fall in a category of unbearable. “After Earth” delivers a very poor sci-fi experience, telling the adventures of Cypher Raige (Will Smith) and his son Kitai (Will Smith’s real son Jaden), when their spaceship crashed on Earth, leaving them exposed to a group of rival aliens. Cypher ended up with the two legs broken and Kitai, as their only hope, will have to fight to retrieve a backup beacon and avoid death. Shyamalan, inspired by an unsophisticated story by Will Smith, was incapable to create a firm pace or any kind of interest with a bunch of animals’ attacks that seemed more an insensate animation than a sci-fi adventure. The monotone voices repeating military orders, the stupid facial expressions of its characters, and the miserable scenes containing special effects, made “After Earth” absolutely ridiculous. With the boredom installed and several laughable scenes that were meant to be taken seriously, this is one of the worst films I’ve seen this year and a complete failure in terms of script, performances, and execution.

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Une Vie Meilleure - A Better Life (2011)

Directed by: Cédric Kahn
Country: France

Review: “A Better Life” is a French drama directed by Cedric Kahn that follows the story of a couple, Yann (Guillaume Canet) and Nadine (Leila Bekhti), after they fell in love when met for the first time in a restaurant. After some time living together, they decide to buy a crumbling building and open their own restaurant in a convenient zone in the suburbs of Paris, since Yann had a promising talent as chef. However, their expectations will be defrauded when legal issues and consecutive loans tore them apart, forcing Yann to work in other restaurants and Nadine to accept a work proposal from Canada, leaving her nine-year-old son behind. Her extended absence will make Yann concerned with her whereabouts, and some difficult decisions will have to be taken. “A Better Life” features Guillaume Canet in the main role, also considered a respected filmmaker after “Tell No One” in 2006, and “Little White Lies” in 2010. Here he proves his talent as an actor, playing his part with great determination and devotion, ending up being awarded in Rome Film Fest. The lesson of this story is that the best intentions aren’t always sufficient to be successful, but Kahn gave a good chance on hope and immigration by simplifying in the end what its characters had complicated in the beginning. His direction was competent but not brilliant, in an actual and realistic movie that certainly works as an alert for the more ambitious, in times of economic crisis.

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Either Way (2011)

Directed by: Hafsteinn Gunnar Sigurdsson
Country: Iceland

Review: “Either Way” is an affable Icelandic comedy, written and directed by Hafsteinn Gunnar Sigurdsson, a cineaste to keep an eye on, considering the talent evinced here. This funny story about two men friendship was subjected to an American remake with the name of “Prince Avalanche”, which will be officially released on the date of August 9th, this time adapted and directed by David Gordon Green (“George Washington”, “Snow Angels”). Finnbogi and Alfred know each other for some time and are working together during the summer in a remote place on Iceland, where they were assigned to paint lines and put wooden stakes along the deserted road. The two friends will help each other, especially in regard to relationships with women. When both of them come to a point where they don’t know what to do with life, their age gaps will be useful, having distinct ways of looking into the problems. The actors were totally convincing in their performances, in a generous, pleasant, and valuable film, where the humor is subtle yet efficient, while the soundtrack was well diversified and well employed according to the moments depicted. Alternating between peaceful silences and forced noises, with bucolic landscapes in background to compose the delicate cinematography, “Either Way” won my appreciation for all its simplicity.

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Gimme The Loot (2012)

Directed by: Adam Leon
Country: USA

Review: “Gimme The Loot” is an independent film that can be seen as an hymn to the City of New York, through the adventures of Malcolm (Ty Hickson) and Sofia (Tashiana Washington), two graffiti artists and Bronx dwellers who are trying to get $500 for a big project on NY Mets’ Home Run Apple, after a rival gang has spoiled their latest work of art. To get the money and the work done, they will embark in several misconducts, including selling drugs, illicit businesses, and theft of a necklace that belonged to a careless rich girl who involved herself with Malcolm. The presence of this white girl named Ginnie (Zoe Lescaze) was important to denounce class differences and distinct forms of treatment, depending if she is alone or in the company of her pretentious friends. Adam Leon’s moving camera was very efficient, depicting the rhythm of the city and its characters with a well-balanced pace. I got myself tangled in these people’s lives, caring for what would have happened to them, even having in consideration their reproachable behavior. “Gimme The Loot” has its slowdowns once in a while but has the merit of being so close to reality that sometimes I forgot I was watching a movie. Adam Leon has here a self-conscious debut as writer and director.

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Found Memories (2011)

Directed by: Julia Murat
Country: Brazil / others

Review: Presented with brushstrokes of intimacy and evincing a nostalgic depth that slowly shakes us inside, “Found Memories” can be seen as a kind of fictional documentary about Jotuomba, a remote Brazilian village that is slowly disappearing as its remaining 11 elderly inhabitants are dying. Simultaneously, it depicts the beautiful story of friendship between Madalena, an old woman responsible for making the bread for the village, and Rita, a young photographer who appeared asking for shelter for a couple of days. The film starts showing the monotonous day-to-day life of the villagers. Madalena makes her bread at night, barely illuminated by an oil lamp; every morning she takes the bread to Antonio’s coffee shop, where they have the same quarrel about putting the bread on the shelves; after cleaning the locked cemetery gates, she attends Mass and then shares a meal with all the villagers. Little by little, Rita’s presence will make this ritual more tolerable for them, provoking uncanny sensations of trust and moments of joy that seemed to be forgotten for many years. In its silences, “Found Memories” is a sweet, melancholic, and rewarding piece of filmmaking, which didn’t need more than a few simplistic processes and passionate candidness to captivate. In the end, Júlia Murat’s reflective debut left us with the question: ‘where do we belong?’.

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American Mary (2012)

Directed by: Jen Soska / Sylvia Soska
Country: Canada

Review: The Canadian horror film “American Mary” follows the grisly story of Mary Mason, once a brilliant medical student who dropped out of the course after being drugged and sexually abused by her medical school’s instructor. Before that, and allured by easy money, she had involved herself with the underworld of nightclubs and sex industry, and that fact allowed her to have the first illicit experience as surgeon when her services were required for a body modification. Impelled by an eagerness of revenge, Mary will fall into the dark world of torture and murder, at the same time that gains popularity online with clandestine surgeries, becoming known as Bloody Mary, a real expert of chop and sew. Since its earliest scenes that I didn’t feel connected with this story, where the surgical operations were the only motive to impress, and not for good reasons. The occasional fractions of humor thrown in by Soska sisters didn’t work out, and the same happened with the poorly written script, which was never able to excite or create any kind of fear. Some scenes of torture were very close to those presented in Takashi Miike’s “Ichi The Killer”, while the bizarre ‘dolls’ caused some apprehension due to their freaky aspect. This is a shallow study of a psychotic predator that can be compared to a terrible hangover caused by a few sour ‘Bloody Maries’!

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